by Robert Fisk in Baghdad
Saddam's main presidential palace, a great rampart of a building 20 storeys high, simply exploded in front of me--a cauldron of fire, a 100ft sheet of flame and a sound that had my ears singing for an hour after. The entire, massively buttressed edifice shuddered under the impact. Then four more cruise missiles came in.
It is the heaviest bombing Baghdad has suffered in more than 20 years of war. All across the city last night, massive explosions shook the ground. To my right, the Ministry of Armaments Procurement--a long colonnaded building looking much like the façade of the Pentagon--coughed fire as five missiles crashed into the concrete.
In an operation officially intended to create "shock and awe'', shock was hardly the word for it. The few Iraqis in the streets around me--no friends of Saddam I would suspect--cursed under their breath.
From high-rise buildings, shops and homes came the thunder of crashing glass as the shock waves swept across the Tigris river in both directions. Minute after minute the missiles came in. Many Iraqis had watched--as I had--television film of those ominous B-52 bombers taking off from Britain only six hours earlier. Like me, they had noted the time, added three hours for Iraqi time in front of London and guessed that, at around 9pm, the terror would begin. The B-52s, almost certainly firing from outside Iraqi airspace, were dead on time.
Police cars drove at speed through the streets, their loudspeakers ordering pedestrians to take shelter or hide under cover of tall buildings. Much good did it do. Crouching next to a block of shops on the opposite side of the river, I narrowly missed the shower of glass that came cascading down from the upper windows as the shock waves slammed into them.
Along the streets a few Iraqis could be seen staring from balconies, shards of broken glass around them. Each time one of the great golden bubbles of fire burst across the city, they ducked inside before the blast wave reached them. At one point, as I stood beneath the trees on the corniche, a wave of cruise missiles passed low overhead, the shriek of their passage almost as devastating as the explosions that were to follow.
How, I ask myself, does one describe this outside the language of a military report, the definition of the colour, the decibels of the explosions? When the cruise missiles came in it sounded as if someone was ripping to pieces huge curtains of silk in the sky and the blast waves became a kind of frightening counterpoint to the flames.